Our Fave Red Carpet and Behind-the-Scenes Shots From New York City Ballet’s 2019 Fall Fashion Gala

New York City Ballet’s Fall Fashion Gala always gives us a chance to admire the dancers at their most glamorous, and this year was no exception. From premieres of new works by Lauren Lovette (paired with designer Zac Posen) and Edwaard Liang (with Anna Sui), to a sparkling rendition of Balanchine’s Symphony in C, to a star-studded red carpet and reception, we had plenty to swoon over, both onstage and off.

Sarah Jessica Parker, the mastermind behind this annual event, was pretty in pink on the red carpet—and Zac Posen, who designed costumes for Lauren Lovette’s The Shaded Line, cleaned up quite nicely as well.

Associate artistic director Wendy Whelan looked elegant (as always) in Chanel.

Choreographer and principal dancer Lauren Lovette got another Fall Fashion Gala premiere under her belt, and then SLAYED in this red Zac Posen number.

It was all a bit of a blur for former principal Robbie Fairchild, who came to support his sister, Megan Fairchild…

When Edwaard Liang joined the cast of his new ballet, Lineage, for curtain calls, Maria Kowroski greeted him with a massive hug that gave us all the warm fuzzies…

…and then they found one another at the post-performance reception (with Kowroski dressed in more Anna Sui, naturally).

Post-performance Indiana Woodward is an entire mood, and perfectly captured how we felt at the end of the whirlwind evening.

The post Our Fave Red Carpet and Behind-the-Scenes Shots From New York City Ballet’s 2019 Fall Fashion Gala appeared first on Dance Magazine.

10 Times Our Fave Ballet Dancers Made Turning Actually Look Easy

At this point, you’d think we’d all be used to the level of technical absurdity Daniil Simkin achieves when he’s playing around in the studio. But then he did this:

…and now we’re low-key appalled in the absolute best way.

After we picked our jaws up from the floor, we were inspired to dig up clips of some of our other favorite dancers turning like it’s no big deal. Here are just a few standouts.

Derek Dunn’s en dehors pirouettes in back attitude are okay, we guess.

Going from triple fouettés to pulling in for six is just another day at the office for Isabella Boylston.

Maria Kochetkova makes the deceptively simple arabesque turns from the Kingdom of the Shades act look like, well, a dream.

An oldie but a goodie: Ashley Bouder was still knocking out super clean fouetté turns while very pregnant.

In case you were worried, Aran Bell didn’t lose his mad turning chops between his “First Position” days and now.

When you’re Daniel Ulbricht, you celebrate making it through airport security with quad pirouettes.

All hail Queen Marianela Nuñez, who could probably have a nice cup of afternoon tea while nailing the Black Swan variation.

Honestly, we’ve never seen a video of Gillian Murphy turning that we didn’t love.

If we accidentally did 11 pirouettes, we’d probably react just like Adiarys Almeida does here.

The post 10 Times Our Fave Ballet Dancers Made Turning Actually Look Easy appeared first on Dance Magazine.

Emma Portner Shines in This Apple Watch Promo

Tucked into an almost two-hour Apple announcement video is pure dance gold: a promo for the newest version of the Apple Watch featuring none other than the trailblazing jack-of-all-styles herself, Emma Portner.

Honestly, Portner’s electric, effortless grooving could sell ice to an eskimo. But the Apple Watch is also fitting.

(From Lauren and Chris Grant to FKA twigs, snaps to Apple for continuing their streak of using super-talented performers in their campaigns.)

Check out Portner below!

View this post on Instagram


Alright yeah this is crazy @apple

A post shared by Emma Portner (@emmaportner) on Sep 10, 2019 at 9:44pm PDT

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The Greatest Dance Movies of All Time, According to the Dance Magazine Staff

Seventy one years ago today, a new movie hit theaters: The Red Shoes. For a certain generation of dancers, this was the movie—the one that initially inspired them to step inside the studio.

For others, it was the first film they ever saw that finally “got” them. When Moira Shearer’s character Victoria Page answers the question “Why do you want to dance?” with the response “Why do you want to live?” she channeled the inexplicable passion of thousands who dedicate their lives to this art.

Of course, many dance movies have followed in The Red Shoes‘ footsteps. But not all are created equal. We polled some of the Dance Magazine staff to find out what they rate as the G.O.A.T. of dance movies. It turns out, there was a pretty clear favorite in the office.

Girls Just Want to Have Fun (1985)

“Well, the fact is that Girls Just Want to Have Fun *is* the best dance movie, because in it we have a heroine who defies the odds, a teenage girl who defies her father, a less than ‘it’ girl who captures not only the ‘it’ guy but in doing so, a phenomenal dance partner who wins them a spot as regulars on D (dance) TV! So it’s a female empowerment story wrapped in a contagiously fun ’80s prep/punk aesthetic. And then there’s the ode to Cyndi in the name…” —Joanna Harp, publisher/chief revenue officer

Watch It:
On YouTube, Amazon, Google Play, iTunes

The Turning Point (1977)

“Where else are you going to find Anne Bancroft and Shirley MacLaine rubbing elbows with the likes of Mikhail Baryshnikov and Antoinette Sibley? Loads of gorgeous dancing, a drama-filled plot that feels way more realistic than most of what we’ve seen in dance films in the 21st century (so far), and what has to be the most hilariously nightmarish scene of drunken dancing in existence. Oh, and Alexandra Danilova nearly steals the whole show without dancing a step.” —Courtney Escoyne, associate editor

Watch It:
On Cinemax

West Side Story (1961)

“Of course, it premiered on Broadway first. But this Technicolor film version totally wraps you up in the drama—mixing full-body dance shots (thank you!) with emotional close-ups, and making sharp, musical cuts from the Jets to the Sharks and back again. Plus, it gave my obsessed teenage self the chance to watch Jerome Robbins’ brilliant choreography over and over and over again. Steven Spielberg has his hands full if he’s trying to top it next year, but I can’t wait to see him give it a try.” —Jennifer Stahl, editor in chief

Watch It:
On YouTube, Amazon, Google Play, iTunes

Billy Elliot (2000)

“Everyone loves an underdog story, and this one has everything: chasing dreams, defying conventions, great acting, “electricity” and Matthew Bourne’s Swan Lake!” —Michael Northrop, fact checker

Watch It:
On Netflix, YouTube, Amazon, iTunes, Google Play

An American in Paris (1951)

“Out of those old-school classics, this is the best. But anything that’s got Gene Kelly or Busby Berkeley or Fred Astaire involved, I’m down. I know it’s not technically dance, but I would love a redo of the gym scene in Gentleman Prefer Blondes. And I think one of my fav scenes is the modern dance scene in White Christmas that laments the move towards ‘choreography.’ Such an amazing time capsule. I love the old movies, but am looking forward to people reformatting them to better reflect modern times.” —Jennifer Roit, Dance Magazine College Guide editor

Watch It:
YouTube
, Amazon, Google Play, iTunes

Center Stage (2000)

“It’s so validating to have a dance movie that is super-mainstream and is also actually a good movie! I love how it’s almost become a cult classic over time, for dancers and nondancers alike. Plus, it introduced me to artists who I would grow to love onstage, not just onscreen, and to the funky tunes of Jamiroquai.” —Lauren Wingenroth, associate editor

“I seriously think I’ve seen the movie over 100 times and remember teaching myself all the dance scenes to get up and do during the movie.” —Suzi Schmitt, account executive

“It reminds me of summer intensives, watching with friends and trying to learn all the choreography.” —Nicole Buggé, director of marketing services

“It has the perfect combination of teenage angst and ballet drama (that’s not over-the-top à la Black Swan). Even today, it’s still such a quotable guilty pleasure, and comes with the bonus built-in layer of ‘Spot the Famous Dancer.’ Who wouldn’t want to catch glimpses of Ethan Stiefel, Sascha Radetsky and Julie Kent nearly 20 years back?” —Madeline Schrock, managing editor

Watch It:
On Sony Crackle (free!), Amazon, iTunes, YouTube, Google Play

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