Now That She’s Back at Work, Lia Cirio Shares the Hobbies, Music and More That Got Her Through the Shutdown

Boston Ballet has recently gone back to the studios, starting up rehearsals again (with multiple safety precautions in place) to prepare for a hybrid performance season. For principal Lia Cirio, it’s a welcome return. But she never really stopped moving during the six-month shutdown. On top of creating dance films, holding a season for the Cirio Collective and designing T-shirts to raise money for various causes, she was also commissioned to create a new work for Boston Ballet’s ChoreograpHER program next May.

Dance Magazine recently caught up with her for our “For Your Entertainment” series to hear about the hobbies, books, podcasts, memes and more that have kept her going.

Pandemic hobbies:

“I picked up my ukulele a few times and learned to play some songs. I also did a few fun, DIY arts-and-crafts projects. I created a small T-shirt (and some other products) line called Art Heals. A friend and I created a logo and I chose a saying for each product such as ‘Art Heals… Wash Your Hands,’ and the proceeds went to different organizations. The first shirt raised about $1,000 for the Greater Boston Food Bank. I just released my newest design and product to raise money for the Elizabeth Stone House in honor of Domestic Violence Awareness Month.”

Shutdown side projects:

“During quarantine, the only way I could stay sane was to stay as busy as possible. A fellow principal dancer, Paul Craig, and I created a dance video called ‘Reverie,‘ very early in the pandemic. After that, we worked with Helen Pickett on her project called Home Studies.

“My brother Jeffrey Cirio and I were able to hold a small and safe season of our contemporary dance company, Cirio Collective. We worked in a garage in Martha’s Vineyard and created a dance film with filmmaker Quinn Wharton.

“And just a few days before Boston Ballet’s season began, I finished another project with Helen Pickett. Now that we are back, my focus is on being back in work mode.”

Online classes:

“I never actually took Worldwide Ballet Class‘s live classes during quarantine, but when I started getting back in shape and was able to dance in a studio again, I utilized their YouTube playbacks. I loved taking Darla Hoover’s class, as well as Chris Stowell’s and Rubén Martín Cintas’. I think the whole dance community is so grateful to Ruben and Diego Cruz for these classes.

“I’ve also been doing Pilates and yoga classes through obé fitness, and have continued to do so now that we are back to work.”

New self-care routine:

“I bought a stationary bike to do cardio while gyms and SoulCycle were closed. Now that I have that routine of waking up and getting on the bike, I’ve kept doing it every day before work. And Pilates and yoga through obé. Pilates has always been a part of my warm-up but now, more than ever, it’s hard for me to start class without a cat–cow or a number of downward-facing dogs!”

On her bookshelf:

“I am about to start reading The Invisible Life of Addie LaRue from this month’s Book of the Month. Two of my favorites that I’ve read in the past few months are Normal People (loved the Hulu series as well) and The Guest List (a wedding murder mystery).”

Netflix binges:

“Currently, I am watching (more like bingeing) ‘The 100′ on Netflix. I also loved ‘The Umbrella Academy‘ and ‘Selling Sunset!’

Favorite podcast:

“I love listening to ‘Song Exploder.‘ It is a podcast where music artists break down their songs and the little details that go into making them. I love hearing each artist’s unique process and the thoughts behind it all. It reminds me of choreography. My favorite is Hozier’s ‘Nina Cried Power’ episode and the Fleetwood Mac episode.

Recent movie recs:

“I am pretty lucky to be living in Massachusetts and that our COVID-19 numbers have been fairly low. We have returned safely and slowly to a new normal. A few weeks ago I was able to go to a real-life movie theater with my quarantine bubble of friends. We saw Tenet and my mind was blown. I highly recommend!

“In the beginning of the pandemic I watched Jojo Rabbit and have to say how incredible I feel that movie is. I loved it so much that I named my foster/newly-adopted kitten, Jojo, after the movie.”

Favorite Instagram accounts:

@the_happy_broadcast is such a great account to offset all the bad and sad news in the world. I mean, who wouldn’t want to know that rare pink dolphins have returned to Hong Kong? Or that it is illegal in Switzerland to own just one guinea pig because they get lonely?

“I also love following @paul.mescal because
🔥
and I loved him in the show ‘Normal People,’ and @livetheprocess because their brand is effortless and I love their energy. Of course, I can’t live without @balletmoods. That account kills it in the relatable dancer memes. I definitely always find myself LOLing.”

Music on repeat:

“Well, I was commissioned to create a new ballet for Boston Ballet’s ChoreograpHER, and so if you look at my Apple Music, Shostakovich and Dvořák are the most played. However, when I need a break from those beautiful pieces, Louis The Child’s new album Here For Now and Dua Lipa’s Future Nostalgia and her Club Future Nostalgia are on repeat.

“I also just got a new record from this year’s Record Store Day called Hi Tide Groove (DJ’s Choice 1969-1981). It’s so fun and perfect to play on a Sunday afternoon while cleaning or getting ready for the week ahead.”

Dance film obsession:

“When Nedelands Dans Theater released its ‘Standby‘ video by Paul Lightfoot, I literally could not stop watching it. I could not get enough of it. It’s so fresh, so inspiring, from the choreography and dancers, to the lighting and videography. I absolutely loved it!”

The post Now That She’s Back at Work, Lia Cirio Shares the Hobbies, Music and More That Got Her Through the Shutdown appeared first on Dance Magazine.

This New Netflix Series Profiles 6 of Today’s Coolest Choreographers

Get ready for your next Netflix binge: On October 23, the streaming giant is dropping Move, a five-part docuseries profiling some of the biggest choreographers and performers from around the globe. Each episode provides an intimate look at a different creator and their unique contributions to the art form.

First up are American-based Memphis jookin star Charles “Lil Buck” Riley and Jon Boogz, both founders of MAI (Movement Art Is). Subsequent episodes feature Gaga creator Ohad Naharin, of Israel; avant-garde flamenco star Israel Galván, of Spain; dancehall and Jamaican folk dance choreographer Kimiko Versatile; and kathak-meets-contemporary force Akram Khan, a British-based dancemaker of Bangladeshi descent.

Packed with striking dance footage, Move virtually transports dancers lovers around the world, at a time when the majority of travel remains restricted due to the coronavirus pandemic.

The post This New Netflix Series Profiles 6 of Today’s Coolest Choreographers appeared first on Dance Magazine.

A Pilates sequence for cross-training and re-centering in stressful times

Pilates is about centering, literally and figuratively — building core strength and finding one’s metaphorical center, one’s sense of inner strength and calm. The practice incorporates timing, shape and breath in reaching toward achieving goals in both areas — things that dancers are accustomed to working with and refining. Core strength (which we know goes beyond “washboard abs” — it’s about strength and integration of the muscular structure from the collarbones to the glutes) is essential to strong technique and confident artistry. A key example is finding one’s “center” for clean pirouettes. Dance technique in itself doesn’t get us there, hence the need for “cross-training” (practicing other movement forms for balanced fitness).

On that metaphorical level, dancers need a different kind of “core” strength — the kind of of inner strength that allows one to stay focused and committed through long days, hectic weeks, shifting schedules, side jobs, financial stress, the sometimes difficult journey journey to finding who one is as an artist and a thousand other stressful aspects of artists’ lives. Pilates has a mindful aspect that, similar to yoga, leaves space for practitioners observing how they act and react through learning and practicing the form. It focuses on breath and inner sensation, for example. Honing in on such elements can be profoundly calming, as well as informative.

In a time of social and economic upheaval, due to the outbreak of COVID-19, dancers could use an exercise form that brings that sort of calm. Bonus: it can be done with little equipment and space, with or without music. A thick mat is helpful, yet a soft carpet can also do the trick. The following Pilates sequence offers a centered calm and strength, as well as helping to build literal core strength, adaptable to various kinds of space and time. We hope that you enjoy it. Keep calm and practice on, keep moving and creating!

#1. Co-contraction: Keying into core strength, placement and integration

1. Lay on your back with your knees bent and your feet planted directly under them. Place your hands by your sides, palms down — yet if you want to move your hands up toward your stomach or chest at any point of this step, in order to feel your breath or core muscles working, feel free to do so.

2. Feel your lower belly and pelvic muscles engaging to keep your back fully flat on the mat. This is called “co-contraction” (muscles contracting together).

3. Scoop your lower belly in and point your tailbone toward the back of your knees — lifting ever so slightly, no more than an inch. With Pilates, less can truly be more! Breathe in as you do so. (That said, throughout this sequence, if the given breath sequence doesn’t feel natural to you, breathe in a way that does.)

4. As you breathe out, shift your tailbone so that it points downward, until you have a slight arch in your lower to middle back (slight enough that you could just about slide one of your hands under that arch — go ahead, try it, if you’d like!). Try to begin a smooth, rhythmic flow of breath with this step.

5. Shift back to where your tailbone is pointing at the back of your knees, and repeat those two steps above, 10-15 times. Key into what it feels like to move through these two positions and the muscular path that sequence engages. These are muscles that you’ll be engaging throughout this sequence (and Pilates practice more generally). Key into your breath pattern, and what it feels like to breathe in a fluid, rhythmic manner. Notice what it’s like to feel centered.

#2. Bridge Roll-Ups

1. From your tailbone pointing toward the back of your knees, as in the last step, raise your hips until you’re resting on only your shoulders (your back is almost all the way off your mat) and you’re making a slope from your knees to your collarbones. You’re essentially keeping that same pattern of pelvic tilting, just making it bigger. Keep the same breath pattern, as well, if it feels right for you.

2. Roll all the way back down, engaging deep core muscles so that you feel every vertebra in your spine hit the mat individually. Notice what that engagement feels like. To end, tilt your pelvis downward so that you have that small arch in your back.

3. Repeat that 5-10 times, slowly and mindfully. The tortoise, and not the hare, wins the race in Pilates. See if you can enjoy the feeling of coordinating your breath and movement. See if you can enjoy feeling your center — physically, mentally and emotionally.

*Level it up: Extend one foot forward, flexing it, lower leg on a slight diagonal, and then lower it back down once you’re in bridge, alternating feet with each bridge.

#3. Leg Circles

1. With your back flattened into your mat (“co-contracted”), raise your left leg to the sky. Point your raised foot and turn that leg out (from the hip and not the knee). Check in with your back, ensuring that nothing has changed with adjusting your left leg. It should stay still and stable throughout the whole exercise.

2. Make a small circle on the ceiling with your left big toe, breathing in. Stop short (but with the least amount of tension possible) at the point where you started the circle, and breathe out quick and accented — matching the quick stop of the circle — at the same time.

3. Repeat that 10-15 times, and then change the direction of the circle. Periodically check in with your breath (aiming for rhythmic and not tense) and that only your left leg is moving; everything else still.

4. Place your left foot down, and repeat steps 1-3 with your right leg up and making the circles. Continue to enjoy feeling your literal and metaphorical center — it’s always there, we just don’t always tune into it.

*Level it up: Lengthen and turn out the leg that’s not doing the circles.

#4. Rolling-like-a-ball  

1. Feeling centered includes keeping in touch with our sense of humor and play. A good belly laugh is also a great abdominal workout! To start this exercise bringing that, bring your knees into your chest. If it feels good, make some small, gentle circles with your knees to lightly massage your back.

2. When you’re ready, roll up to vertical — keeping your knees into your chest and maintaining a “c” shape in your upper body. Breathe in as you do so. For extra abdominal work, try not to let your toes touch the floor or mat below you.

3. Roll back down when you’re ready, sequencing back down through your vertebrae one by one. Breathe out, smoothly and easily.

4. Repeat that 10-15 times, allowing yourself to feel playful. Giggle, if that comes! To end, take any other small movements that feel good.

5. Check in with yourself. Do you feel centered, physically, mentally and emotional? How can you bring that feeling into the rest of your day, week and maybe even beyond?

*Level it up: Lengthen your legs in a narrow “V”, keeping the shape all throughout the “roll” yet also lengthening up through your spine as you come to vertical (also known as the “Open-Leg Rocker”).

By Kathryn Boland of Dance Informa.

The post A Pilates sequence for cross-training and re-centering in stressful times appeared first on Dance Informa Magazine.

Preparing your home studio for safe dance

Welcome to dancing at home — with its daily distractions, endless child supervision, traffic, noise, limited space and likely no ballet barre or mirror.  You are probably also confronted with carpet,  hardwood on cement or tile on which to dance.

Zooming your dance class can be a dangerous proposition. The inappropriate floors available in your home, apartment, basement or garage can facilitate both injury and fatigue. They will certainly not help to develop technique or improve performance. There is hardly a floor in your home space that isn’t too hard or too slippery. It is simply not a dance studio.

However, there are a number of options that will turn a small area in your home into a temporary dance space and provide your dancer with all the safety benefits of a professional dance studio. It is not a luxury to protect their well-being.

Stagestep's Dancestep Plus.
Stagestep’s Dancestep Plus.

For the dancer who has a relatively small space to work with and needs to quickly install and remove their dance floor, the best option is Dancestep Plus. It is a dual density foamed back flooring with a Marley dance surface. It is available with free shipping in 6.56′ widths by 4’, 8’, 10’, 15’ and 20’. It comes in black or gray and is ideal for all dance styles except tap (because of sound reduction). The dual foam backing acts like a floating subfloor, keeping the dancer safe from impact injury. Multiple pieces can create virtually any size home studio floor. The non-slip surface works especially well for ballet.

A tap, turning or ballet board is a very portable and easy-to-use at-home option. All boards feature a specialized floor surface over a subfloor, sitting on 3/4’’ cross link cell foam. In other words, it’s a mini floating subfloor system.

Stagestep's Encore Home.
Stagestep’s Encore Home.

For those interested in a real wood option, we have Encore Home, an easy-to-assemble click and lock system requiring no tools. It features a real built-in floating wood subfloor and is available in prefinished oak or maple flooring – ideal for tap and ballroom. Encore also works well for jazz and contemporary.

Stagestep's Springstep IV subfloor.
Stagestep’s Springstep IV subfloor.

If you happen to have space you can commit to your home studio, consider Springstep IV, our professional, floating prefabricated subfloor. For smaller spaces, no tools are necessary to assemble it; for larger spaces, a circular saw will be needed to stagger the seams and fit the room. Top the subfloor surface with the dance floor that is appropriate for how you dance.

All of your dance floor options are portable or transportable. Size is determined by your need and your budget. There are many possible ways to go, and a Stagestep rep would be happy to review your options.

Your safety is of paramount importance, be it in the studio, on stage or in your home. More information is available online at www.stagestep.com or by calling 800-523-0960.

By Randy Swartz of Stagestep.

The post Preparing your home studio for safe dance appeared first on Dance Informa Magazine.